The Rhetorical Review

Category: Premiere

April 15, 2025

“The Aunties” Brings Indigenous Stories and Community to Utah Stages

Keolanani Kinghorn
April 7, 2025

“Coach Coach”: Self-Reflexivity, Late Capitalism, and the Theatre of Becoming

Keolanani Kinghorn
March 29, 2025

Fatherhood, Friendship, and Fragility: A Powerful Case for the Existence of God

Keolanani Kinghorn
March 26, 2025

The World Premiere of “The Beatrix Potter Defense Society”: A Gendered Reclamation of Artistic Freedom

Keolanani Kinghorn
March 2, 2025

“The Oresteia” by Playwright Emilio Casillas: A Contemporary Reimagining of Three Greek Tragedies

Keolanani Kinghorn
February 11, 2025

The World Premiere of KILO-WAT by Aaron Asano Swenson: Basketball, War, and the Power of Storytelling

Keolanani Kinghorn
October 24, 2024

The World Premiere of “Full Color”: Painting a Portrait of Life’s Realities by Utah BIPOC Artists

Keolanani Kinghorn
September 13, 2024

Brushes with Conflict: The Utah Premiere of “God Kinda Looks Like Tupac” by Emilio Rodriguez

Keolanani Kinghorn
August 5, 2024

Unearthing the Psyche: Western Minerals Shines with Desert Mystique

Keolanani Kinghorn
April 10, 2024

“Bitter Lemon”: Welcome to Hell, Macbeth!

Keolanani Kinghorn
February 15, 2024

Reshaping Shakespeare for the Better: The World Premiere of “Balthazar” by Debora Threedy

Keolanani Kinghorn
November 12, 2023

Wasatch Theatre Company Features Indigenous Playwright, Larissa FastHorse and “The Thanksgiving Play”

Keolanani Kinghorn