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The Rhetorical Review
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Author:
Keolanani Kinghorn
July 26, 2025
When Words Were Enough: “Dear Jack, Dear Louise” at USF
Keolanani Kinghorn
July 25, 2025
From the Ocean Floor to Red Rock Heights: Tuacahn’s “Little Mermaid” Makes a Lasting Impression
Keolanani Kinghorn
July 21, 2025
“My Brother Was a Vampire”: Flying Backward Through Queer Grief and Gothic Memory
Keolanani Kinghorn
July 11, 2025
Meanwhile Park 2025: Backyard Theatre and the Queer Art of Survival
Keolanani Kinghorn
July 10, 2025
When Power Protects Itself, Justice Disappears
Keolanani Kinghorn
July 5, 2025
Mid-Life Crisis Rocks for a Cause with Summer Christmas Concert in Layton
Keolanani Kinghorn
June 29, 2025
SPRM, Spiked Soda, and Satire: SLAC’s Real Wives Roast the Beehive
Keolanani Kinghorn
June 22, 2025
“The Fork”: A Music-Filled Farcical Feast with Heart
Keolanani Kinghorn
June 19, 2025
& Juliet” Review: A Queer, Pop-Feminist Remix Takes Over Salt Lake City
Keolanani Kinghorn
June 18, 2025
Threads of Memory: Archive and Identity in the Work of Jessica Nicole Begay and Alexandria Yaa
Keolanani Kinghorn
June 9, 2025
Home Is Mismatched Dishes: Rediscovering “The Box-Car Children” on Stage
Keolanani Kinghorn
May 23, 2025
“Dreamgirls” at The Grand: Where Black Brilliance Takes Center Stage
Keolanani Kinghorn
May 19, 2025
What We Leave Behind: The World Premiere of “Paper Weight” by Skyler Denfeld
Keolanani Kinghorn
May 17, 2025
Rewriting the Punchline at Ziegfeld Theater: Tootsie’s Impact on Gender Norms
Keolanani Kinghorn
May 11, 2025
A Bonfire, a Breakdown, and the End of the World: “The Grown-Ups” Utah Premiere
Keolanani Kinghorn
May 4, 2025
Messy, Honest, and Unforgettable: “Waitress” at PTC
Keolanani Kinghorn
May 3, 2025
Pygmalion’s “Be Here Now”: The Art and Ethics of Presence
Keolanani Kinghorn
April 18, 2025
Wicked: Performance, Power, and the Manufacture of Truth
Keolanani Kinghorn
April 15, 2025
“The Aunties” Brings Indigenous Stories and Community to Utah Stages
Keolanani Kinghorn
April 7, 2025
“Coach Coach”: Self-Reflexivity, Late Capitalism, and the Theatre of Becoming
Keolanani Kinghorn
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