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Author:
Keolanani Kinghorn
April 11, 2026
Love Is Seeing Clearly in the Dark: The Phantom of the Opera at Eccles Theater
Keolanani Kinghorn
April 8, 2026
Review—A Voice in Motion: Samara Joy at Utah Presents
Keolanani Kinghorn
April 4, 2026
At the Kitchen Table: Dan Froot & Company’s Arms Around America and Theatre as an Ongoing Practice
Keolanani Kinghorn
March 31, 2026
WRTG 4950 Student Group Collaboration on Graffiti Art & Murals in Salt Lake City: Mapping as Rhetoric
Keolanani Kinghorn
March 28, 2026
Review: The Prom at Ziegfeld Theater Turns Laughter into a Powerful Reflection on Belonging
Keolanani Kinghorn
March 25, 2026
“We Sing It Anyway”: Hadestown Review — Repetition, Labor, and a Jazz-Infused Greek Tragedy
Keolanani Kinghorn
March 21, 2026
King James at Pioneer Theatre Company: Fandom, Friendship, and the Politics of Belief
Keolanani Kinghorn
February 15, 2026
Listening for the American Dream: A Conversation with David McCourt on New Documentary “Amerigo”
Keolanani Kinghorn
February 13, 2026
Review: DUMBED DOWN at Plan-B Theatre Company — Teaching Is Like Tylenol
Keolanani Kinghorn
February 11, 2026
Eccles Review: Murder, Mechanism, and Mayhem—Clue Delivers Precision Farce
Keolanani Kinghorn
February 9, 2026
PYG Review: Becky, Nurse of Salem—Returning to the Past to Tell History Differently
Keolanani Kinghorn
February 8, 2026
Wasatch Theatre Review: Friendly Universe and the Work of Theatre for the Very Young
Keolanani Kinghorn
February 7, 2026
SLAC Review: Here Comes the Sun—The World Premiere of Sunny in the Dark by Elaine Jarvik
Keolanani Kinghorn
February 1, 2026
Grasmere Review: The Poet and the Muse, and the Violence of Genius
Keolanani Kinghorn
January 31, 2026
Pioneer Theatre Review: “Ten Brave Seconds” and the Courage of Staying in the Room
Keolanani Kinghorn
January 30, 2026
Sundance Review: Three Shorts to Check Out on Care, Courage, and Survival
Keolanani Kinghorn
January 28, 2026
Sundance Review: Jaripeo—Poetry, Queerness, and Machismo Inside Mexico’s Rodeo Culture
Keolanani Kinghorn
January 28, 2026
Inside “Jaripeo”: A Sundance Red Carpet Q&A with Producer Sarah Strunin
Keolanani Kinghorn
January 26, 2026
Sundance Review: Beth de Araújo’s “Josephine” Confronts the Reality of Rape Culture
Keolanani Kinghorn
January 26, 2026
Sundance Review: Aanikoobijigan—Repatriation of Native Ancestors
Keolanani Kinghorn
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