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Love Is Seeing Clearly in the Dark: The Phantom of the Opera at Eccles Theater
Review—A Voice in Motion: Samara Joy at Utah Presents
At the Kitchen Table: Dan Froot & Company’s Arms Around America and Theatre as an Ongoing Practice
WRTG 4950 Student Group Collaboration on Graffiti Art & Murals in Salt Lake City: Mapping as Rhetoric
Review: The Prom at Ziegfeld Theater Turns Laughter into a Powerful Reflection on Belonging
“We Sing It Anyway”: Hadestown Review — Repetition, Labor, and a Jazz-Infused Greek Tragedy
King James at Pioneer Theatre Company: Fandom, Friendship, and the Politics of Belief
Listening for the American Dream: A Conversation with David McCourt on New Documentary “Amerigo”
Review: DUMBED DOWN at Plan-B Theatre Company — Teaching Is Like Tylenol
Eccles Review: Murder, Mechanism, and Mayhem—Clue Delivers Precision Farce
PYG Review: Becky, Nurse of Salem—Returning to the Past to Tell History Differently
Wasatch Theatre Review: Friendly Universe and the Work of Theatre for the Very Young
SLAC Review: Here Comes the Sun—The World Premiere of Sunny in the Dark by Elaine Jarvik
Grasmere Review: The Poet and the Muse, and the Violence of Genius
Pioneer Theatre Review: “Ten Brave Seconds” and the Courage of Staying in the Room
Sundance Review: Three Shorts to Check Out on Care, Courage, and Survival
Sundance Review: Jaripeo—Poetry, Queerness, and Machismo Inside Mexico’s Rodeo Culture
Inside “Jaripeo”: A Sundance Red Carpet Q&A with Producer Sarah Strunin
Sundance Review: Beth de Araújo’s “Josephine” Confronts the Reality of Rape Culture
Sundance Review: Aanikoobijigan—Repatriation of Native Ancestors
Sundance Review: The Lake — A Powerful but Partial Look at Great Salt Lake Crisis
Why Protesting Isn’t Moving ICE — and What Actually Will
Free Expression and the Future of Film: ACLU Panel at Sundance 2026
Sundance 2026: Kimberlé Crenshaw, Ava DuVernay, Viet Thanh Nguyen, and Jacqueline Stewart Confront Censorship and the New McCarthyism in The Story of Us
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