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“Art is that which remains unknown the longest.”
— Christopher Risher (personal communication, 1992), quoted in Christopher Monson, p. 56
From world premieres and touring productions to backyard and community stages, I explore art, performance, and storytelling through a rhetorical lens.
Keolanani Kinghorn, editor and founder
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INDIGENOUS VOICES
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Sundance Review: Aanikoobijigan—Repatriation of Native Ancestors
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Threads of Memory: Archive and Identity in the Work of Jessica Nicole Begay and Alexandria Yaa
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“The Aunties” Brings Indigenous Stories and Community to Utah Stages
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Unpacking Neverland: Removing Indigenous Stereotypes from Tiger Lily in “Peter Pan”
LGBTQ+ Stories
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Carol Lynn Pearson’s Facing East Returns, Still Asking Utah What Love Costs
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The Death of Nero by Mikhail Kuzmin: A Century-Old “Lost” Russian Play Finally Gets Its World Premiere in SLC Thanks to ThreePenny Theatre Company
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Great Salt Lake Fringe Festival Review: Sugar Mud by Meat Bar
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“Welcome to the New Century”: A Review of “The Hiss” at Great Salt Lake Fringe Festival
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